Sorry “OP #2” was unclear, I’ve inserted a comma to separate the terms.
The comment I quoted from originally claims:
A director’s cut is using the same assets, at the same settings, but with editorial changes or unused pieces reinserted.
Sony’s PS5 ports of Death Stranding and Ghosts of Tsushima had both additional content and improved framerate/resolution/etc to target the new platform.
To my mind Sony’s branding of ports these as DC was cynical marketing move, and effort to sell the upgrade to people why had already played the original when it was released.
Despite my scepticism I think the Director’s Cut label can be applied accurately as they had added some extra content too.
It seems like the part that you’re missing, though, is that the content that was “added” in the DC’s for those games was already created and was cut upon release. They didn’t release the game and then create new content for those games after release for the DC, they just released the content that wasn’t finished. In the case of GoT, for example, the extra island was DLC that was cut initially in favor of the multiplayer mode. When they got the opportunity to release the DC, they simply added back that content.
In those cases, Director’s Cut is correct for what it is because none of the existing game was modified and the new content that was added was already created content that was cut from the original game (or, in some cases, originally meant as DLC that was scrapped/cut).
Cool, I’m glad people feel the added content appropriately qualifies for the DC label, but my initial point was simply that Sony certainly didn’t feel adding PS5 features to target the new platform didn’t disqualify them from using the label.
As for the new games, I would be surprised if they were straight ports. I would expect them to want a new feature, storyline, or enemy type to use in marketing as they resell it to the same audience that bought it the first time. For any AAA project there are a lot of scrapped ideas along the.way so it would be easy to find something.
I guess I’m confused then. They didn’t add features. Higher frame rates and resolutions aren’t new features, they’re just free additions that developers get from updated build processes. There’s no reason why those would “disqualify” them.
As for the other stuff, I don’t think the people who have already played these games are the target, as you suggest. Remasters are typically for people that didn’t play the original or missed it on its original system. Remakes are usually for existing players who want an updated experience.
Sorry “OP #2” was unclear, I’ve inserted a comma to separate the terms.
The comment I quoted from originally claims:
Sony’s PS5 ports of Death Stranding and Ghosts of Tsushima had both additional content and improved framerate/resolution/etc to target the new platform.
To my mind Sony’s branding of ports these as DC was cynical marketing move, and effort to sell the upgrade to people why had already played the original when it was released.
Despite my scepticism I think the Director’s Cut label can be applied accurately as they had added some extra content too.
It seems like the part that you’re missing, though, is that the content that was “added” in the DC’s for those games was already created and was cut upon release. They didn’t release the game and then create new content for those games after release for the DC, they just released the content that wasn’t finished. In the case of GoT, for example, the extra island was DLC that was cut initially in favor of the multiplayer mode. When they got the opportunity to release the DC, they simply added back that content.
In those cases, Director’s Cut is correct for what it is because none of the existing game was modified and the new content that was added was already created content that was cut from the original game (or, in some cases, originally meant as DLC that was scrapped/cut).
Cool, I’m glad people feel the added content appropriately qualifies for the DC label, but my initial point was simply that Sony certainly didn’t feel adding PS5 features to target the new platform didn’t disqualify them from using the label.
As for the new games, I would be surprised if they were straight ports. I would expect them to want a new feature, storyline, or enemy type to use in marketing as they resell it to the same audience that bought it the first time. For any AAA project there are a lot of scrapped ideas along the.way so it would be easy to find something.
I guess I’m confused then. They didn’t add features. Higher frame rates and resolutions aren’t new features, they’re just free additions that developers get from updated build processes. There’s no reason why those would “disqualify” them.
As for the other stuff, I don’t think the people who have already played these games are the target, as you suggest. Remasters are typically for people that didn’t play the original or missed it on its original system. Remakes are usually for existing players who want an updated experience.