Disciple of Christ and software engineer, concurrency wizard subclass.

Things I like: programming (probably in Rust), computer hardware, music, guitars, synthesizers, video games

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Joined 1 year ago
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Cake day: June 14th, 2023

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  • I like Ubuntu Server. It’s got a nice installer that is simple and straight to the point, and lots of documentation. I’m also very familiar with it if I need to troubleshoot.

    That said, I don’t like snaps and every new version pushes them harder. I’m currently learning openSUSE to see if it can become my new go-to for servers.

    I always run Linux servers headless, so how the distro does GUI (if an option) is not relevant to me in this scenario.






  • Also worth noting that the fact that Linux gaming works at all on many “Windows-exclusive” titles is an absolute magnificent feat of engineering. For the longest time we’ve been working to get games working on Linux despite both game developers and engine makers historically expressing anything between disinterest and antagonism towards supporting games on Linux.

    But I also get that the final product is still not all that smooth from a user’s perspective. Just be sure to put the blame on where it belongs (definitely not Linux, or Wine who has been bending over backwards for over a decade to swim against the flow).











  • Well this probably won’t help you at all then, but for me my solution was to buy “the one” instrument that I most enjoyed. Not that you can necessarily guarantee to know ahead of time which one that is. In my case I got a Waldorf Iridium, and that killed my GAS for synths. There’s just something about that synth for me that feels “just right” but also deep enough to not lock itself into a corner. Now every time I hear a new synth demo, I think, “That’s a cool idea! I bet I could get close to that sound with the Iridium.” And instead of thinking about buying something new, I instead use what I have to accomplish something similar. Or more likely, I start with imitating, but end up going into a different creative direction that I preferred anyway.

    A similar piece of gear in my guitar arsenal is the Empress Zoia. Instead of getting GAS over new pedals, I instead hear the cool sounds and immediately start thinking about how I could replicate it with the Zoia. No need to buy a new pedal. Multi-FX pedals can be this way too – I hear similar experiences for owners of the Zoom MS-70CDR.

    So partially its finding something that you mesh with personally, which no one but you can figure out, but it is also partially being sure it isn’t something that is too niche into a specific sound but instead an instrument or module that is flexible enough to be used for multiple purposes.

    Anyway that’s been my experience. 'course my noobish opinion isn’t worth much.


  • This is my least favorite part of Seafile. If there were a competitive alternative that used a flat file storage backend then I’d switch to that in a heartbeat. But alas, I still have not found one, so I will continue into my 6th year of using Seafile…

    Worth noting in 6 years I haven’t had any actual trouble with Seafile’s storage, and the few times I’ve needed to I’ve been able to export data to a normal file system using seaf-fsck even if Seafile isn’t running. I’m just not 100% comfortable with it anyway so I understand the apprehension. I’d rather use a standard filesystem and be able to use standard tooling on it.