UlyssesT [he/him]

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Joined 3 years ago
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Cake day: November 9th, 2021

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  • Again, you do you. I have problematic favorites of my own, but when it comes to bleak future dystopias, I could easily find something a lot more diverse, creative, and complex that isn’t so rigidly confined in the tropes under whatever excuse and dares to reach out from there, including into the supernatural. By that I mean Shadowrun as the first and most shining example, rough patches and bad editions at times and all.

    I actually enjoy grim fantasy medieval settings, as a parallel example, but if the bleakness is all that there is to emphasize, I’m going to lose focus and interest fairly quickly if it isn’t even going to try to reach beyond that and just wallow in it the way ASOFAI does. That’s my same issue with the franchise you like; it just… stops there. It’s fine if it goes there, but I want more, without any “doing more is not as bleak, we have a doctor’s note to stop here” excuses.









  • tbh I’ve not seen anything of Watch Dogs or its sequel that made me do anything but disregard it as shallow trash,

    I feel the same way about the CDPR take on the Cyberpunk franchise. I gave up playing it and watched some fairly long critical reviews instead.

    What’s so great about it?

    I could ask the same question. I didn’t say Watch Dogs 2 was high art but it was trying something other than “what if Cyberpunk setting but 50 years later with more copaganda and a lot less punk?”

    I think I might just be enamored by the experience of deflecting bullets with a katana and using a mag rifle to shoot people through walls or something

    That’s fine and you can enjoy that all you like. I’m talking themes and messaging for the most part, not moment to moment gameplay. The game certainly is less of a chore to actually play than the Witcher series was.