“They’ve abandoned my original vision of a horrid edgefest,” explained the very badass and subversive writer. “I write dialogue like a twelve-year-old who just learned the F-word. Sure they curse a lot, but they aren’t using it as a crutch, like me. Also, where’s all the rape? There’s literally no way to indicate that someone is a villain, or even a morally ambiguous hero, without having them commit heinous sexual assaults. Instead they’re obsessed with writing ‘characters’ who have ‘motivations’. That’s not what The Boys is about. The Boys is about vapid, surface level parodies of superheroes that make you feel terrible and empty for having read about them.”