So Fediverse, who do you love? Where do you love? How do you love? Which do you love?
The first side of the album consists entirely of a live performance of Bo Diddley’s song, “Who Do You Love?”. In a self-deprecating poke at the rendition’s extended length, it is listed as the “Who Do You Love Suite”, with individually titled “movements” which give writing credits to the soloist on each segment. The performance of Bo Diddley’s composition breaks down into a guitar solo by Gary Duncan in a style somewhere between jazz and rock (described as “Bloomfield-like”[2]) with a walking bass line by Freiberg. It then mellows down into some apparently improvised guitar and bass plucking and sliding, with feedback, handclapping and audience participation ‘almost like a “found object” out of Dada.’[2] Solos by Cipollina and then Freiberg follow. Then comes a slower, quieter reprise of one verse of the Bo Diddley song, leading to a pianissimo ensemble vocal, followed by a finale in which Elmore changes to a back-beat, while Duncan and Freiberg still play the Bo Diddley beat. Duncan’s vocals and Cipollina’s lead guitar use call-and-response, and the result is a polyrhythmic rock sound.